Facing up to the big V

StamperCharly Stamper, an ex-experimental petrologist from the School of Earth Sciences, originally wrote this entry on the Between a Rock and a Hard Place blog. Charly used to make pretend volcanoes; now she works in renewable energy.

The nights are getting shorter, the air is getting fresher and here in Bristol it seems like viva season is in full swing. Enough time has elapsed since my own viva that I thought I would share my thoughts about what to expect on the big day.

PhD comic
Credit: PhD comics/Jorge Cham

Whilst everybody’s experience is different, from talking to fellow alumni there do seem to be some common themes:

Your examiners are human. The main thing to remember is that the examiners really just want to have a stimulating and thought-provoking discussion, followed by a trip to the pub. It’s also true to say that never again will somebody be so interested in your thesis (in fact, the examiners will probably the only two people to read the thing cover to cover), so try to make the most of it.

Make chit-chat. The literal translation of a viva voce is “with living voice” – i.e., you’re there to talk! Most vivas begin with an initial 10 – 20 minute chat about the overall project. At this point the examiners will have read your thesis but may not know anything about you or about how you have approached your research, so expect overarching questions and to give a summary of your entire project. Although it’s not easy to think so broadly about work that you’ve lived and breathed every minute of, the few weeks of R&R since hand-in should give you the space you need. Some examples might include:

  • What big question were you trying to answer?
  • What was your initial hypothesis?
  • How did you test this hypothesis?
  • Describe your conclusions in a few sentences
  • What went wrong?
  • What would you do differently if you could start again now?

Know your work. After the initial openings, the examiners will move on to scrutinising your thesis chapter by chapter. If you’re anything like me, you’ll probably find that re-reading your thesis after hand-in will be a fairly torturous experience; however, the number one answer guaranteed to rile your examiners is “I can’t remember”.  As well as being well-versed in your own research, make sure you’re familiar with any underlying concepts, equations and principles that you’ve used.

Be prepared to justify your methods. You can rest assured that if your examiners agree with everything you’ve done, they will be playing the part of devil’s advocate in the viva. Alternatively, it’s not uncommon to have contradicted or even explicitly criticised at least one of your examiners’ work in the course of your thesis! Either way, expect some uncomfortably probing questioning on the more controversial parts of your research. You’ll need to demonstrate logic and reasoning behind your decision-making and back that up with evidence.

Be passionate! Even if it’s just for those few hours. It’s fair to say that most people feel a little jaded with at least some aspect of their research by the end of the PhD, but try not to let it show. If you can channel the eager and twinkly-eyed optimism you had at the beginning of the project, then the experience will be more of a two-way discourse than an excruciatingly cringe-worthy inquisition.

Be honest. If something didn’t work during the project (or you’ve since spotted a mistake) then there’s no point trying to skirt around the issue. Explain what you would do now, with the benefit of hindsight, and bear in mind that the examiners may ask you to incorporate some corrections into your final thesis. That’s not to say you should bring these things to your examiners’ attention, but sadly most of them seem to be pretty eagle-eyed!

Enjoy it. Nothing can beat the feeling of relief when you’re done. Just don’t forget to update your social media status – if you’re lost for words then “Dr :)” is a pretty safe bet.

PhD cake
No viva party would be complete without cheese, wine and a themed cake (in Charly’s case the Lesser Antilles in Victoria sponge). Photo credit: Charly Stamper. Cake credit: Kate Hibbert, KT Cooper, Elspeth Robertson.

Reposted with permission from Between a Rock and a Hard Place blog.

Faking It

University of BristolRhiannon Easterbrook is a second-year PhD candidate in the Department of Classics and Ancient History. Having gained degrees from Cambridge and UCL, she took a few years out to work but is delighted to be back in academia. Her work is on classical reception in performance and performativity in Britain, 1895-1914. She is interested in how the Edwardians used ideas from the ancient world to think about embodiment, gender, and sexuality.

I’ve recently taken to re-watching an old TV favourite of mine: Faking It. Back when I was at school, I took real delight in this early example of reality television but it’s interesting that this is the first time I’ve thought about it in years. For those of you who missed out, this Channel 4 series that first aired in 2000 portrayed ordinary people attempting to pass themselves off as up-and-coming professionals in a completely different field. Students, cleaners and factory workers, among others, would spend a month learning not only the right skills, but the right lingo, dress, and manners with the help of mentors from the same field. After a crash course, they would have to show the appropriate abilities and persona to persuade a panel of experts that they really were a DJ/ polo player/ burlesque artiste. More often than not, if the novice put the work in, they would be at least partially successful. The show was inspiring, funny and sometimes pretty cringe-inducing but it faded from my mind.

However, it isn’t really a mystery why this old favourite has popped into my head. As I try my hand at more and more tasks associated with life as an academic, that familiar imposter syndrome about which Louise has blogged so well rears its head. In the strange, liminal space between student and academic that is being a postgraduate researcher, the need to make that transition to full academic (whatever that means because, after all, that covers a range of roles) is often tempered by a fear of being seen as presumptuous in some way.

To succeed in Faking It requires a mix of dedication, mentoring, and something more personal. Mentors pass on knowledge of the field but they also help candidates develop their own work, whether that’s visual art, fashion designs or a burlesque act. In some senses this is a little like a PhD. You have to work hard, learn how to adapt your style to the demands of academic convention, whether that’s in a conference abstract or a lecture, and also produce a work of original research, all with the guidance of your supervisor and any other helpful people you pick up along the way. In both cases, there is no handbook that will tell you everything you could possibly know about taking on that role.

Sometimes, this is a scary thought. At school, exams have a very precise set of marking criteria and it’s easy to know exactly what is required (although whether or not you can attain that is another matter). Success is defined narrowly and the goals are often clear. But coming to a PhD, you realise that everyone has their own style. You have people who do all their, say, archival research and write up at the end and then you have someone else who swears by writing as they go along and wouldn’t have it any other way. Some people put footnotes in their abstracts; others find the very idea ridiculous. Gradually, as I have progressed through my studies, I have realised that the markers of “proper” academics on the one hand and the frauds are less defined than I first suspected. That doesn’t mean that there are no standards and we’re all just a bunch of charlatans: try plagiarising, for example and no one will take you seriously again – and quite right too – but there is more flexibility than I had first thought.

This really came to my attention a couple of months ago. I was due to be giving my second-ever paper at a conference and was feeling pretty nervous about it. A call had gone out for volunteers to chair panels, and for some reason, I decided to pile stress upon stress and give it a go. When I found out what panel I had been assigned, I became even more nervous, realising that I wouldn’t be chairing my peers, but a bunch of bona fide academics with real, live academic jobs. Oh, and they were mostly talking about things of which I knew little, so who knew if I’d even be able to ask a question, should the audience fall silent?

In the end, though it was fine and I managed to ask a question, and keep control of a somewhat chatty room. Afterwards, I spoke to one of the very lovely panellists who expressed surprise that it had been my first attempt. Apparently, inexperienced chairs often turn up having done lots of preparation and with lengthy introductions. I just did what I’d seen others do: turn up a little before and ask people what they wanted me to highlight and whether they wanted warnings about time. I acted like I knew what I was doing and that seemed to work.

Now, I’m not saying I will never get nervous about anything like this again because I definitely, definitely will. But what I have found is that faking it as someone who knows what they’re doing can help. Maybe I’m a real academic and maybe I’m not, but as long as I get the job done, am willing to keep learning, and behave fairly in the process, who cares?

The Why and The How

Madeline_BurkeMadeline Burke is a third-year postgraduate researcher in the department of Cellular and Molecular Medicine.  Madeline did her undergraduate degree in Mechanical Engineering before switching disciplines when she started a PhD with the Bristol Centre for Functional Nanomaterials (BCFN). She is currently building a 3D bio-printer that can create human tissue by printing stem cells. Madeline’s research is interdisciplinary, using concepts from chemistry, cell biology and engineering, to design matrices for stem cells that not only support the cells, but cause them to grow into desired tissue such as cartilage. Most of her time is spent in the lab, designing new experiments and building her 3D printer.

Flowchart

What are the differences between sciences and engineering? Not an earth shattering, life changing question, I’ll admit, but one I have been pondering recently after my foray into nanoscience. Having previously defined myself as an engineer, a PhD in nanoscience has made me challenge my views and definition of science as a subject. Cheesy I know, but seriously, the differences between my engineering student university experience and that of my science graduate colleagues were astounding to me. So I decided to try and define these differences and where better to start answering my questions than the oracle of all things known (also known as Google or in this case my first hit, Wiki answers).

Wiki answers says “A scientist is a person who has scientific training or who works in the sciences. An engineer is someone who is trained as an engineer.” Somehow I don’t think it is that simple. As I’ve found out there is a huge amount of overlap between science and engineering, especially nanoscience. Let me explain – engineering is essentially applying scientific principles to real world problems, a product or solution is created and the problem is solved (or so engineers like to think). Science looks at the world around us and tries to find answers to its mysteries. The difference is not about the knowledge needed to study or practise these disciplines, but in the questions you ask.

In essence, a scientist looks at something and wants to understand “why?” Why is the sky blue? Why do things behave differently on the macro and micro scale? Why do stem cells proliferate and other cells do not? Essentially, it is about understanding and acquiring new knowledge. Engineering is more about “how?” As an engineer, I ask how I can make other cells differentiate. How can I sequence DNA cheaply and accurately? How can I make computers better, smaller and cheaper? Engineering is about invention and solving real-world problems rather than acquiring new knowledge.

This is where the hot new subject of nanoscience comes in, bridging the proverbial gap between science and engineering. Nanoscientists ask both types of questions: why do things behave differently at the nanoscale, and how can I apply this to a real world problem?

But I suppose the big question is who cares? Should there be a distinction between science and engineering? I highlight the well-known case of the chicken and the egg: in school, we were taught that science came first and engineering was the application of science, but now important advances in nanoscience are usually the result of a new tool becoming available. You could say that nanoscience is driven by engineering advances.

Nanoscience is starting to address the distinctions between engineering and science, and also within science itself. Coming from an engineering background the “why?” of science was a shock to me, but I’ve come to see it as an advantage. Engineering is often money and product focused, but without the why of science it wouldn’t exist. I still have the odd “how are you ever going to apply that to anything useful?” moment but in general nanoscience is perfect for me. I get the why and the how!