Picture this — a virtual showcase of postgraduate research

8 images from the 'virtual showcase' competition. Clockwise from top-left: an Action Man in military gear; a clock with a question mark on its face; a toy submarine; a Miffy toy dressed as a healthcare worker; a toy penguin on a sheet of ice; a bag of runes; an X-ray of a mouth; a painting of a heart.

Since its inception, our annual Research without Borders festival has been an opportunity for Bristol’s postgraduate researchers to set aside familiar communication formats like posters and PowerPoint presentations, and to consider how they can share their pioneering projects using methods that are a bit more … ‘outside of the box’.

When this year’s Research without Borders exhibition had to be cancelled due the COVID-19 pandemic, it seemed that May 2020 would come and go without us being able to put the spotlight on any inspired and imaginative displays of PGR research. However, the BDC team had an idea: what if we devised a challenge that encouraged PGRs to find crafty and creative ways to tell the story of their research — with scope to use everyday materials from around the house?

The result was our first-ever Research without Borders ‘virtual showcase’ competition — and, below, you can take a self-guided tour of all 22 exhibits. We hope you agree that the entries are as ingenious as they are entertaining, and that all of the PGRs who participated deserve a huge amount of credit (and thanks) for taking the time and effort to create such compelling project pics.

We’d also like to thank our competition judges: Professor Robert Bickers (Associate Pro Vice-Chancellor, PGR), Sarah Bostock (Head of Marketing) and Doctor Jen Grove (Public Engagement Associate). You can read their comments on the winning entries by scrolling to the end of the page — although we’d recommend that you take the full tour.


Virtual showcase ‘exhibitors’

 

Khalid Al Mallak and Sarmad Ozan,
School of Computer Science, Electrical and Electronic Engineering and Engineering Maths

Can you sit normally on your chair without slouching or leaning forward?
Working in an office or from home has the disadvantage of sitting for prolonged periods. Therefore, to maintain our correct posture, we built a device that detects any improper lean to our posture while we are sitting to perform our work and notifies us with a light indicator. By keeping the right posture of our bodies, we would protect our necks, shoulders and lower back from getting exhausted.

Two images of circuit boards and LEDs - one labelled 'right posture' and the other labelled 'wrong posture' | Two men sitting at desks - one sitting upright, and the other with a visible slump


Merihan Alhafnawi,
School of Civil, Aerospace and Mechanical Engineering

Using a swarm of robots can be more efficient than using just one robot in applications like firefighting missions and environmental monitoring. A human interacting with one robot sounds complicated enough, so how about interacting with 100 robots? “Expressive swarms” researches how humans can interact with a whole swarm of robots! If the robots can work together to express themselves in an intuitive and meaningful way to the humans, then the interactions become natural, almost like working with a friend.

Merihan Alhafnawi with dozens of small swarm robots


Lujain Alsadder, Bristol Medical School

Remodelling from different perspectives: what the heart can tell us?
Blockage of a coronary artery will deprive certain areas of the hearts from oxygen and nutrients, leading to cells death and substantial changes, known as remodelling, in structure, function and integrity of the heart. My research explores ongoing remodelling which involves cellular components like mitochondria, and major constituents including heart proteins, as well as regional and blood metabolites. The aim of my work is pinpoint key changes to better understanding the process of heart remodelling and identify possible therapeutic targets.

Two square paintings of hearts. Between them is an assortment of stones, earplugs and drawing pins.


Linda Bassett, School of Humanities

‘Nothing Like a Dame’: Womanhood and Feminine Experience in the Work of Laura Knight
Today a forgotten name of Art History, Laura Knight was a pioneering artist. Her paintings from the first half of the 20th century chart the progressive role of women through a period of social and cultural change. Her sophisticated images rely on familiar subjects, yet confront traditional stereotypes and challenge the attitudes of the time. Still relevant in our modern age, Knight’s work deserves a reappraisal.

A classical bust and an 'Action Man' toy (holding nail varnish) on top of a map of Cornwall. Behind them is a the sleeve of a vinyl record: Tchaikovsky's Swan Lake Ballet Suite.


Dora Bonini, School of Cellular and Molecular Medicine

Streptococcus pneumoniae and Staphylococcus aureus are two dangerous bacteria, causing high mortality worldwide. They are resistant to antibiotics and we need new drugs to treat them. They have several molecular “tools” that allow them to attack humans. Both bacteria include a variety of subgroups, with differences in their DNA. Some subgroups are better than others at attacking humans. My research wants to find the DNA differences between groups, understand why they make some groups more successful and target them to make new antibiotics.

A small pink-haired toy. Beneath it is selection of everyday tools. Beneath the tools are two drawing with labels: Streptococcus pneumoniae and Staphylococcus aureus. Between the two drawings is a pill.


Daniel Chukwuemeka, School of Humanities

That African Prince That Keeps Sending You E-mails: E-fraud Economy in Postcolonial Nigeria
Internet fraud is a global digital practice, yet Nigeria is one country that is nearly generally associated with e-fraud by a greater number of people. My research explains the reason behind this collective assumption: the exchanges that obtain in fraudulent transactions are similar to the political and economic exchanges that constitute the Nigerian state; just as the scammer impersonates a real character, Nigerian government officials hide behind state legitimacy to convert public wealth to private use.

A MacBook laptop. On top of it is a novel ('I Do Not Come to You by Chance' by Adaobi Tricia Nwaubani), an iPhone and a pair of sunglasses.. To the left of the MacBook is another novel: '419' by Will Ferguson.


Jessica Cross, School of Chemistry

Cells and the City:  Driving Transport in the Cell
Just like our cities, inside our cells things are constantly in motion. Careful control over these transport processes is essential for us to stay healthy. The “roads” are a network of filaments called microtubules and the “cars” are motor proteins which pick up their cargo and walk along the tracks to deliver them to their destinations. We are developing new tools to ‘drive’ these motor proteins when they go wrong in human diseases.

A balloon (labelled 'cargo'). Beneath it are pipe cleaners (labelled 'motor protein') and a cardboard tube ('labelled microtubule'). To the left of these items is a toy car on a road.


Anca Dobrescu, School of Psychological Science

Exploring the associations between parent’s ideal portion size, the amount a parent serves their child and child’s self- selected portion size
In the first few years of their life, children are dependent on their parents to offer them food. However, parents are given little sex- and age-appropriate guidance about the portion size of food suitable for children. Parents report using estimates of their own portions of food when deciding how much to offer their children. As a result, we predict that the amount parents serve themselves is correlated with how much food they serve their children and with the amount children self-select. Understanding these associations will help support parents, and provide new insights into the prevention of childhood obesity.

A large Iron Man toy holding a sign. The sign says 'What is your ideal portion size of pasta with tomato sauce?'. In front of this toy are four discs, each covered in wool - an effect designed to look like plates of food. The discs are labelled 'parent's', 'parent serves for child', 'child's' and 'bow;l of pasta with tomato sauce'. Next to the child's disc is a LEGO Iron Man.


Tamsin Dobson,
School of Civil, Aerospace and Mechanical Engineering

Hot, Wet, Slimy and Broken
Your submarine is sinking because a part has failed where it was previously repaired by welding! Why did it fail? The weld? Corrosion? Biofouling? My research aims to answer these questions for a metal that is used extensively in submarines and ships: Nickel Aluminium Bronze. I weld the metal, use special microscopes to look at it, drop the metal into the ocean (and the lab) and then try to break it. I call it my “hot, wet, slimy and broken” method!

A toy boat with a towel beneath it. On top of the towel, which is intended to look like the sea, are: a lighter (labelled 'weld'); a toy frog (which is saying 'biofouling is the attachment of marine organisms (like me) and sea slime!); some toy fish; a metal gear; a toy submarine; a shell. Next to the submarine is a match (labelled 'weld').


Isolde Glissenaar, School of Geographical Sciences

Mapping sea ice in a warming climate: how satellites measure sea ice thickness
This project uses data from satellites to study the thickness of sea ice. The satellites that we use shoot laser beams towards the surface of the sea ice and measure the time until the reflection of the beams return. Over time the satellite returns to the same location. If it takes longer for the reflection to return now, we know that the ice is thinner than before.

Two toy penguins on a frozen surface. Above them is a cardboard satellite.


Mark Gormley, Bristol Medical School

Spotlight on Mouth Cancer
The world’s 6th most common cancer is found in the mouth and throat. This disease is predicted to increase by a third over the next 10 years. Known risk factors include cigarette smoking and alcohol, as well as the human papilloma virus, which is thought to be sexually transmitted. While the majority of cases of are linked to smoking and alcohol, using genetics we can better understand the contribution of less well known causes. My research analyses large genetic datasets of people with mouth and throat cancer and studies cell lines to identify new potential targets for prevention or therapy.

An X-ray of a mouth; negative images of a pint glass and an ashtray in a jar


Eleanor Haines, School of Economics, Finance and Management

Root-ing for Community
How can Community Farms encourage people to engage more with the environment? Or to care for others in their community? This research examines how volunteering on a Community Farm can physically involve people producing their own food, helping us to think about where our food comes from, and its impact on the environment. It will explore how they can bring people in communities together, and form relationships between farmers and customers.

Four people standing in a circle, photographed from above. Their arms are crossed in an 'Auld Lang Syne' style. However, instead of holding each other's hands, they hold objects. The objects are (clockwise from top): a leek; a trowel; a carrot; pruning shears; yarn.


Amy Holt, School of Cellular and Molecular Medicine

Using labelled nutrients to understand cancer cell (or cat) metabolism
To find new ways to treat cancer, we need to know what makes cancer cells different from healthy cells. Like all living things, cancer cells (and cats) metabolise nutrients to survive and grow, but cancer cells do this differently to healthy cells. In the lab we can give cancer cells labelled nutrients, which allow us to ‘see’ how their metabolism is working. This can help to design new treatments, or to work out how to use existing treatments more effectively.

A cat eating from a bowl. Next to the cat is a transparent container labelled 'Cat food ingredients: for experiments only'. Diagrams featuring interconnected circles and rectangles are attached to both the cat and the container.


Hernaldo Mendoza Nava,
School of Civil, Aerospace and Mechanical Engineering

Bioinspired sound production using instabilities
The annoying sound of crushing a can or squeezing a plastic bottle is produced by buckling! Likewise, ermine moths buckle a striated membrane in their wings to produce distinctive sounds to ward off bats. In engineering, buckling can lead to structural failure but nature provides us examples of how to exploit it. This research takes inspiration in ermine moths to develop structures with adjustable acoustic and dynamic response to enhance the design of sensors and actuators.

Four images of a hand holding a paper 'wing'. Beneath this set of images is a larger image: a cartoon bat hovering over a crushed plastic bottle. To the right of the bottle is a cartoon mosquito. An arrow next to the mosquito points down to a rectangular image of a reflective surface.


Olivia Morris-Soper, School of Humanities

Magical Objects in the Medieval Period: Tools of Cunning Women, Seers and Sorceresses
This thesis explores connections between Arthurian magical women and their historical predecessors in Anglo-Saxon England. Magic and supernatural landscapes lie at the heart of Arthurian literature and there is a close connection between magic and Arthurian female characters. Anglo-Saxon cunning women were established magical practitioners and can be seen in the archaeological record. This project combines archaeology and literature to consider the similarities and differences between these women, thus shedding new light on British medieval magical women and their tools.

An antique book open on an illustration of a woman. On top of the book are a selection of objects: candles, an open bag of runes; a large, opaque crystal sphere; a transparent crystal skull.


Shahd Mostafa, Bristol Medical School

Bio-Fabricating Constructs Suitable for Pulmonary Valve Replacement Therapy in Paediatric Patients with Congenital Heart Defect
Children born with a structural defect in their heart struggle to survive given the current procedures and repair methods that fail to grow with the child’s heart. Therefore, the child needs several open-heart surgeries throughout their life leading to increased death rates and a reduced life quality. To solve this issue, I obtain the amniotic membrane from the placenta, process it, and use it to fabricate a biomaterial that has the ability to grow along the child’s heart as well as encourage the heart to regenerate. This material would potentially eliminate the multi-step repair process since only one procedure is required to repair the heart, increasing the quality of life and survival of children born with congenital heart disease.

Three rows of baked cookies on a flour-covered surface. Top row: a cookie labelled 'amnion + placenta + baby'; a cookie labelled 'heart defect'. Middle row: a cookie labelled 'amniotic membrane'; a cookie labelled 'defective heart'; a cookie labelled 'baby patient'. Bottom row: a cookie labelled 'repaired heart using amnion; a cookie labelled 'healthy baby'.


My Nguyen, School of Physics

How can we optimise membrane protein crystallisation?
The cell uses membrane proteins (MP), which are located at the cell surface, to communicate with their outside world. Studying MP structures can improve drug design and the diagnoses of many diseases. We determine the structure by shooting X-rays through MP crystals. Finding the right crystallisation conditions is like straying in a maze without a map. My research focusses on providing phase diagrams (PD) as ‘crystal maps’ to find the right crystallisation conditions.

A small wooden maze. 'Temperature' is written on one of the the outer walls. On another outer wall is written 'protein concentration'. A stick figure stands at the entrance, and it has a light bulb over its head.


Helen Smith, Bristol Medical School

Artificially intelligent (AI) powered systems have been developed to aid clinical decision making; some have been deployed into healthcare. Determination of ethical and legal responsibility is necessary to ensure stakeholders are fully aware of their duties and obligations to patients, thus aiding the goal of preventing harmful consequences of AI use.

A toy Baymax facing a toy Miffy. The latter is dressed as a healthcare worker. The Baymax is saying 'It's your fault'. The Miffy is saying 'No, it's your fault'. Beneath them is a caption stating: 'Artifical intelligence to inform clinical decision-making: the challenges of attributing ethical and legal responsibility.'


Alex Willcox, School of Physiology, Pharmacology & Neuroscience

Motor Adaptation allows us to adjust our movements in response to changes in our environment. However, with age, adaptation becomes slower and less effective- possibly explaining the increased incidence of trips and falls amongst older adults. By training rats to reach for a food reward, motor adaptation can be induced by a sideways shift in reward position. Alongside behavioural studies in humans, this rodent model is hoped to identify possible causes of the age-related decline of motor adaptation.

[Find out more about animal research at the University of Bristol.]

A rat grabbing a piece of food with its paw.


Carissa Wong, School of Cellular and Molecular Medicine

Boosting the immune system to shrink tumours

Cells: building blocks of our bodies,
Immune system cells protect us from disease,
Cancer happens to be one of these,
Key immune soldiers are called “T-cells”
Theoretically they can kill cancer pretty well.
But in a solid lump of cancer which we call a tumour,
Cancer cells have a malicious sense of humour,
Cancer acts upon its defensive will
To take away T-cells’ ability to kill
I’m decoding cancer’s defensive strategies
To give patients more anti-cancer options to succeed.

Three rows of objects. Top row: a ball in a net (labelled 'live cancer'); pieces of netting (labelled 'cancer defence'); a crumpled piece of blue paper ('dead cancer'); a small piece of paper (labelled 'T-cell army'); a packet of pills (labelled 'medicine'). Middle row: a cartoon face with an uncertain expression (labelled 'T-cell mood'); a ball in a net covered in smaller faces with the same expression; an arrow pointing right; a ball in a broken net covered in smaller faces with the same expression. Bottom row: a cartoon face with a happy expression and a small packet of pills; a red ball covered in smaller happy faces and some broken netting; an arrow pointing right; pieces of blue paper and small happy faces on top of a red ball.


The runner-up

Sophie Chambi-Trowell, School of Earth Sciences

Tiny chompers: What do the diets of the earliest mammals and reptiles tell us about modern ecosystems?
We can learn a lot about an animal’s diet simply by observing what it eats, but with a species that has long gone extinct we must instead rely on their bones. This project aims to bring together multiple cutting-edge techniques to analyse both the jaws and teeth of fossil reptiles and some of the world’s earliest mammals, which lived on the same group of islands, thereby giving us insight into some of the world’s earliest modern ecosystems.

A selection of toy lizards enjoying a picnic.

What the judges said:

 

  • ‘Best title. Knew immediately what the project would be about from image, and it was well supported by the text.’ — Professor Robert Bickers
  • ‘This simplified well, what is actually a complex and sophisticated project. Picture is appealing and links well to the summary and project.’ — Sarah Bostock

The winner

Octavia Brayley, School of Biological Sciences

How does light pollution affect the behaviour of crabs?
Humans create light pollution from; house lights, streetlamps, and lights along beaches. This has huge negative effects on animals because they get confused from the artificial light at night which can block-out the moon, meaning they don’t know what time it is, and this can disrupt feeding patterns and make it difficult to find a mate. My research looks at how detrimental this pollution is to the behaviour of crabs and how we can minimise these effects to preserve animals.

Two cartoon sea creatures standing in front of a cardboard house (lit from inside) and a clock (with part of its face covered by a question mark). Behind this arrangement is a poster featuring a night sky. The left-hand creature is saying 'I can't find any food'. The right-hand creature is saying 'Where is my soulmate?'.

What the judges said:

 

  • ‘Really great picture and interesting topic, unique and thoughtful, real-world impact is clear and I liked that it’s so niche.’ — Sarah Bostock
  • ‘Very creative image, which is fully relevant to the research. The caption is really clear with accessible language.’ — Dr. Jen Grove
  • ‘Wonderfully engaging composition and clear explanatory text.’ — Prof. Robert Bickers

5 reasons why you should apply for Research without Borders

Bec Rengel at the 2018 Research without Borders showcase exhibition
Bec Rengel at the 2018 Research without Borders showcase exhibition

Bec Rengel, the Bristol PGR who picked up the ‘best-communicated exhibit’ prize at the 2018 Research without Borders showcase exhibition, reflects on the festival — and why getting involved was such a positive experience for them.

We’ve all been there. You’re slogging through that research degree (for me it was my MPhil), but it isn’t nearly where you hoped it would be by now. In fact, you’re caught in between being proud of your work, and wanting to bury it in a shallow grave while you flee the country assuming a new identity.

This is how I felt when I applied for Research Without Borders (RwB) in 2018. And here’s 5 reasons why you should too:

1. It helps your research

When designing your stall, you need to think about engaging, creative, and clear ways of conveying your research to members of the public. It prompts you to look at your research in ways that you might not have before, giving you a fresh perspective.

Talking with members of the public, you’re forced to examine every aspect of your arguments, sources, and results. For example, during one in-depth discussion, I ended up having a huge breakthrough and discovering a strong answer to my primary research question. I’m not saying that’ll happen for everyone, but it’s almost inevitable that you’ll come out of RwB with more ideas, clarity, and even new directions for your research.

2. Careers, Careers, Careers

Believe it or not, RwB is a huge event that really packs a punch on your CV. If you’re looking to continue a career in academia, public engagement experience is an absolute must and RwB can help kick-start your career.

If you’re heading outside academia, RwB shows employers that you can manage your own projects, think creatively, and engage audiences. It’s also a fantastic way to improve your communication skills, making interviews that tiny bit less terrifying!

3. Get out of the bubble

Sometimes you can get completely lost in your research, consumed by #gradlife, and forget why you started your degree in the first place! After all, we don’t just do research for ourselves, but to make a contribution to society in our chosen field.

RwB gives you the opportunity to take your research directly to people, finding out what people outside universities think, as well as seeing just how your research can make a real difference in their lives.

4. Get creative

Even if you don’t think you have a creative streak, you’ll be amazed at what you could do! I saw robotics demonstrations, magic, a full pub set-up, screen printing, interactive maps, guessing games. It doesn’t even have to be something particularly elaborate. Sometimes the simplest thing like an artwork display or a prompt for attendees to write their fondest memory of Bristol were enough to draw people in.

5. Networking

RwB doesn’t just showcase your work to the general public. You’ll also be able to meet industry professionals from a huge range of sectors. And don’t despair my fellow Arts and Humanities researchers, RwB isn’t just for science, technology, or business! I met professionals working in heritage, education, civil service, journalism, research, law, you name it! It was fantastic to see what people with degrees like mine went on to accomplish.

You’ll also get the chance to meet amazing fellow PGRs, researching everything from bees to Beauty and the Beast. Research degrees can be pretty isolating — particularly when, like me, you’re working alone with mountains of books every day. RwB is the perfect opportunity to make new friends and leave your self-imposed solitude in the library or lab.

You won’t regret it and you’ll leave with a stronger research project, vital skills, new friends, and great memories. Go ahead and apply!


Want to give it a try yourself? It’s not too late! Just complete the Research without Borders application form before 11am on Thursday 28 February 2019.

Research without Borders 2017: check out the highlights!

It’s over a month since our Research without Borders festival of postgraduate research took place across the Univeristy of Bristol and Colston Hall – so these highlights are a good reminder of what fun we had, how much we learned, and how hard our postgraduate research students are working each day of the week!

Pick up on the buzzing atmosphere from our showcase afternoon finale and hear from participants about why they got involved and what they learned:

Research without Borders: a blog from last year’s interactive display winner, Henry Webber

As our 100 postgraduate researchers involved in this year’s Research without Borders festival prepare their exhibitions, discussions and presentations, we took a trip down memory lane to last year’s showcase and talked to the winner of the prize for Interactive Display, Henry Webber, an Archaeology and Anthropology PhD candidate.

Last year I applied to display my research at the Research Without Borders festival. I wanted to use the process as an exercise for thinking about my ideas, and how to present and communicate these ideas to a mixture of people from colleagues to academics, to the general public and other industries.

My research involves connecting archaeology with agriculture. It is about learning what impacts humans have had on the landscape, the material remains left in the soil, and how these may be impacting state of the art farming techniques and agricultural knowledge in the 21st century.

Some of the main aspects that I wanted to convey were the material aspects of my research, the focus on soils and how they are central to both archaeology (for the study of the human past) and agriculture (for the future of society). In addition, I wanted to showcase how agricultural techniques are changing with the evolution of remote sensing data, and software and hardware development. With an increased focus on high resolution data and precise methodologies, such as GPS steering of tractors and variable rate fertiliser application, requiring ever more detailed knowledge of soil variation, the impacts that humans have had on soils are becoming increasingly more important.

To try to engage people in my display and demonstrate these ideas, I brought in real soil and turf blocks to replicate a field with a crop. I then stripped off the topsoil and recreated a miniature archaeological site with darker colours of soil representing high organic matter and nutrient levels such as phosphorus, which is often found in conjunction with archaeological sites. I used toy tractors from my childhood to demonstrate the actions and spatial connection that farmers have with archaeology and to explain some of the contentions that currently exist between farmers and archaeologists. Next to this I had printed images of my case study datasets and a projector with several videos showing high-tech precision spraying, laser weeding and autonomous vehicles. I also brought some actual geophysical equipment (Ground Penetrating Radar) for people to use. With Ground Penetrating Radar, it is possible to see objects below the surface, and in the display hall we could tell where pipes, electric cables, and solid floor supports were from the way they reflect radar energy. This sort of technique is also however, commonly used to discover buried archaeology.

After I found out that I had won the prize for best interactive display, I was delighted! I had certainly got a lot out of the event already from just the networking and discussions with people, but the prize was an additional bonus. The prize consisted of money to put towards training of my choice, which I decided to use to improve and continue my professional development in being qualified in agronomic advice.

I had already completed a course in fertiliser and agronomy advice as part of the PhD, but this extra funding helped me to continue to be professionally accredited and knowledgeable about current agronomic

Research Without Borders Event, University of Bristol/@Bristol

advice, issues, and legislation. This has great benefit for my research as, when talking to farmers, I can contextualise my research in ‘real life’ farming practices in the UK today. It has also helped me to engage with farmers and develop positive relationships around which my research can become much more reflexive. Finally, this training provides me with a qualification that will be useful in any future career path relating to food and farming and allow me to have a broader perspective.

The Research without Borders festival was certainly a great event and I am glad to see it continuing this year. It was worthwhile from many perspectives for me and I would encourage you to get involved to meet new people, try out new ideas and explore displaying your own research!

The showcase exhibition returns to Colston Hall frmo 2 to 5pm on 12 May in this year’s Research without Borders festival. Sign up for tickets via Eventbrite

10 Questions with Keri McNamara: from 3MT to RwB, and why you should get involved

In case you hadn’t heard yet, sign ups are open for Research without Borders 2017, our flagship festival of postgraduate research where we put your work front and centre. This year’s festival is bigger and better than ever, including an evening discussion series, a showcase exhibition at Colston Hall, and the finals of the 3MT competition. Why should you get involved? We spoke to Keri McNamara, who took part in last year’s festival and presented in the 3MT finals (catch her video on our YouTube channel!), to offer you an insider’s perspective on what’s great, what’s challenging and why it’s important to take part.

  1. Which faculty are you in? Can you tell me a bit about your research? Maybe, instead of three minutes, you could tell us in three words…?

I’m in the school of Earth Sciences in the Faculty of Science. To describe my research in three words: Volcanoes, Ash, Ethiopia.

  1. Why did you decided to sign up last year – what persuaded you, or what were you hoping to get from taking part?

I had heard about it from a friend in the year above and it thought it would be a good opportunity to practise my public speaking. I’ve always found presenting rather daunting but felt that the more I pushed myself to do it the easier it got. This just seemed like a fun opportunity. I also enjoy outreach so seemed like a good way to combine both.

  1. What was the hardest, or scariest part of the 3MT? Is it what you expected it to be before you went onstage, or did that change?

I think the scariest bit is sitting waiting for your turn. Once I opened my mouth to speak I felt much calmer and more confident. Towards the end I even started to enjoy myself (something I never thought I’d be able to say about public speaking!)

  1. How did you prepare?

I love writing so I found the easiest thing was to write it out first like I was writing an article and perfect it on paper. I then basically learnt it like a script and then made minor tweaks so it flowed better. I know a lot of people prefer to improvise but I felt much more confident learning what I was going to say.

  1. What is your funnest memory from taking part last year?

I think during the first heat- everyone taking part was so friendly and it was fun to get to know people from completely different parts of the university studying a huge range of topics. It made it a very relaxed environment- not threatening or intimidating at all.

  1. And what made you get involved with Research without Borders?

I liked the fact it was multidisciplinary with opportunities to meet people from other research areas as well as people from industry.

  1. What was the funnest bit?

Making a display to go along with my poster- it was a bit more interesting than preparing for a traditional conference.

  1. Any pearls of wisdom to share for people considering taking part in this year’s 3MT?

I would recommend spending more time at the beginning sketching out the ‘story’ of what you’re going to say to make sure the content flows well in a strong framework. Also practise as much as you can be bothered to right before; being prepared was the only thing that saved me from being too nervous. Also definitely take part– even if (or especially if!) public speaking scares you. It’s a great way to improve!

  1. Has the 3MT been helpful to you in anyway? Why should students to get involved?

It has helped no end with my confidence in public speaking. In my PhD I have to give quite a lot of talks and I think it was a real turning point for me. I went from just rushing to get to the end of a presentation to actually thinking about what I was saying and being conscious of how I was presenting. I also put it on my CV as an example of public speaking and outreach skills.

  1. What about Research without Borders? Did it change how you think or view your research/PhD?

I’m not sure it helped me in one particular way but it was really great to talk to people working in other areas to challenge me to get ‘outside the bubble’ of my research areas and think about the bigger picture.

Fancy showcasing or presenting in this year’s Research without Borders? Sign up by 28 February! Want to take part in the 3MT competition? It’s as simple as this application form

This could be you, if you signed up to take part in this year’s Research without Borders!